Ichi is an example of a game damaged by its achievements. Ichi is a simple puzzle game, a bouncing ball with bumpers and switches and such. It comes with 60 levels and proudly advertises that it has over 100,000 player-made levels.
To encourage you to make levels as a player, there are achievements for publishing 10 levels and for having 100 people play your levels. To encourage you to play others’ levels, there is an achievement for completing 100 levels, which you cannot do with the game’s built-in levels. There is a combined achievement to gain 1000 points; you can get 3 points on the built-in levels, but the other 820 come from 1 point per player-made level you play and 1 per player who plays your levels.
As a gamer, you can already work out what these incentives produce.
The player-made levels are filled with insta-complete “puzzles.” You start the puzzle, the ball flies into its target a few seconds later, and you do not even need to click. There is a mutually beneficial arrangement for achievement hunters, whereby you want lots of quick points and levels, while the level-designers want lots of quick points and plays. The original goal, generating lots of player-made levels and letting the cream rise to the top, would demand stronger tools than the game has to help that cream rise.
But there are some cute and interesting puzzles, and I got my 49 cents’ worth.
This weekend, I was in the mood to play a worker placement game. The question dawned on me with rising horror: how many generations now lie buried and insensate, gone to their biers with a nameless ache because worker placement games had yet to be invented?
Have you ever gone to the kitchen, in the mood for something, but nothing looks quite right? You are hungering for a dish that does not yet exist. The plant that would placate your eager taste buds has yet to evolve. And there you stand, wondering if a little more mayo would do the trick.
When you are bored on a Sunday afternoon in the long, dark teatime of the soul, those hours are stolen by your need to do something that does not yet exist, for a career in a field requiring another century of technological advance.
And there lies your bier, wondering whether you took the time to play a worker placement game.
The University of Essex is trying to trying to increase student retention. That is where Richard Bartle works, and he notes:
The thing is, all the ways that the document listed to increase retention among new students were straight out of the MMO newbie-retention handbook. A place where people can hang out between teaching events and make friends? Check. Organised groups led by experienced students that you can join? Check. A communication channel for students just like you? Check. A method of finding other people who are interested in the same things you are? Check. Fun tasks for people with different skills working together ? Check. Easy challenges with small rewards to get you into the swing of things? Check.
Remember your gaming insights at work. Games are designed to be more enriching and enjoyable than real life, so why can’t we take the lessons of games to make real life more fun? I currently work in educational assessment, and we are looking ahead to games as teaching and testing tools.
How many games do you have nearly completed, but just never got around to finishing because you got bored?
I have a bunch of games dropped in the first 10%, either “crap” or “not my thing.” I have another stack somewhere around 50%, a mix of neat ideas with poor execution, promising starts that went nowhere, and generally games that just stopped being worth the time.
And then there are the 90% games. The ones that needed to have 40 hours of play, so they padded in 10-20. The ones with an unreasonable last level that did not seem worth suffering through. The ones where you really did like the puzzles but they were so similar that after 90, you could not muster the energy to finish the last 10.
After bingeing heavily, I am starting to get burned out on Renowned Explorers at exactly 90% of the way through the achievements. Since each set of 5 expeditions is its own game, you’ve beat the game once you do that once, and you’ve seen all the possible expeditions after you’ve done that a half-dozen times (although probably not all the encounters). So a bit of that is burnout, a bit is having used the captains and crews that interested me the most.
Looking at my other installed Steam games:
- I still have Borderlands 2 going. I think I still have a DLC campaign there I never played, and a bunch of 90% achievements. You kind of enter a Borderland sequel burned out from killing that same bandit in the previous game.
- The Talos Principle has many interesting puzzles, some BS puzzles, and so many variations on the same theme that I wonder when I will finish map C. Again, in my usual pattern, I binged heavily, but now I can maybe do one of the puzzles and be all set for a couple of weeks. And there are mutually exclusive game/achievement paths, so how about doing all of them again for slightly different story text that you could just as easily YouTube?
I have a category in my Steam library called “shelved” for those 50% and 90% games that I may get back to someday. Steam Cloud is freeing, in that I feel free to uninstall the game and walk away. If I ever get back to the game, great, but having those kilobytes saved on a distant server is all I need to feel free to do the digital equivalent of house cleaning.
I also have a category for those 10% games called “crap,” so that I do not accidentally reinstall them someday.
Our dear friend Tesh is launching another Kickstarter for metal Steampunk meeples, this time with the Mad Scientist and the Tinkerer. The detail is nice, like the wrench and dagger on the back of the Tinkerer. I am personally more fond of the Mad Scientist, with his lab coat, goggles, and rumpled hair. I have a friend who wants this look IRL, so maybe I well get them some meeples.
And now: steampunk fairies, too.
I enjoy Tesh’s projects, and I encourage you to check it out. Comments are open if you have a crowdfunding project going or want to note exciting ones you’re supporting. (If the spam filter eats your link, please e-mail me, and I will dig through the filter.)
From the makers of Reus: REIS!
My usual reaction to roguelikes is, “Well that was some BS.” This one I am really enjoying.
The theme of Renowned Explorers is adventure and discovery, under the banner of lighthearded Victorian imperialism. You are gentleman adventurers, heading to darkest Africa, the voodoo islands of the Caribbean, or mysterious lost lands. It plays tropes of the era straight with a joyful lack of modern sensibilities. Occasionally someone tells you off for plundering their cultural treasures, but mostly you are pacifying the natives, making off with the treasures, and working on a good story to tell upon your return. The artwork feeds into all this.
Like Reus, REIS enjoys sets of three. You have a team of three explorers. You can be aggressive, devious, or friendly. Some situations are better solved with charm, others with fisticuffs. There is a rock-paper-scissors relationship among the three, and some enemies will turn that on you. Continue reading Renowned Explorers: International Society
Tobold posted about “The Grizzly Bears deck,” which of course reminded me of a Duelist article from 1995. Because you come to this blog for notes on how recent gaming events relate to forgotten gaming history.
The idea is to have some cheap-to-assemble “computer” decks to test your deck against. The variety of them listed in the article give you a range of challenges like you could expect to see in play, although the state of the game has changed a bit since 1995. The two I remembered best were the goldfish and angel decks
The goldfish does nothing, nothing at all. If you cannot beat a deck that does absolutely nothing, quit the game. If you cannot do it in 7-8 turns, fix your deck. (With some exceptions for decks that are doing fancy, slow, safe things.)
The angel decks does nothing for four turns and then gets a free Serra Angel every turn forever. That is your “slow deck” opponent. There are similar decks for defense, weenie hordes, etc.
There is not a lot of point to this post other than to point to history. That is one part “isn’t that neat,” another part that history keeps coming back around. That was an article from 1995 that was mentioned in a Wizards post in 2010, coming up in a variant in 2017. I have several times recommended reading Jessica Mulligan’s archives from Biting the Hand because so many of today’s issues were also yesterday’s issues. We are not just fighting the last war, we are doing so with the strategy that lost the last war.
I find myself going back to Hexcells lately, so I am going to recommend it again. Hexcells infinite has a random level generator, so it is an endless source of enjoyable puzzles. Random levels do not have the potential to be clever like the hand-made ones, but it is consistently on the level of a good sudoku.
The sound effects are quite soothing.
Shout out to Artipia Games. I backed Fields of Green, their new board game. The Kickstarter closed in September with a December delivery date. That was a few days off, but the boxes did ship from Greece in December and arrived here today. I have other games on my Kickstarter list that are years behind and still sending update notes.
Tabletop game makers seem to be just about done when they launch the Kickstarter, with production money needed rather than design money, although some projects have hit it so big on Kickstarter that they needed extra time just to design everything for all the stretch goals (or to massively scale up production). Video game developers seem to have little idea of time estimates, and they make me see the real value in project management as a discipline. It is invisible when done well but obvious when not.
I have been playing Big Pharma, a simulation game in which you run a pharmaceutical corporation. That is not as much fun as it sounds. The puzzle of building drugs and assembly lines while watching profits is interesting, but it feels very much like a less interesting version of playing a spreadsheet.