Magic 2015 was another game in the Humble Bundle, and I feel like I got my money’s worth. The game is frequently enjoyable. Arriving after the reportedly horrible bugs had been fixed, I found it worth my time.
“There might be a first rush, and then the contributions wind down.”
Starting monetization schemes has been exceedingly profitable, such as the money that flooded into Team Fortress 2 when its item shop opened, LotRO’s huge surge when it went F2P (even subscriptions went up),or many sites, games, and causes that make an initial appeal for money. If this is your first time being given the opportunity to pay for something you like and support, many people will. If it is no longer an “opportunity” but an attempt to build on ongoing revenue stream, that pent up demand reaches a much lower level quickly.
Syp writes a pretty good bit on the similarities and differences on bloggers and journalists. This comes in the wake of Massively’s death and the phoenix rise of Massively OP (Kickstarter 100%+ funded!) when many are asking do we even need MMO journalists? Syp writes:
So I see press as being more focused on delivering news and opinion content and being as inclusive as possible with the genre, while also having a higher standard of quality and editorial oversight. However, there is one even greater reason why press is important, which is that it aids in giving the MMO industry/games industry legitimacy.
I think this is pretty correct on average. Bloggers are often times just musing. They often shoot from the hip (‘cus cowboys). But then, I’ve seen blog posts that are so hyperfocused that an MMO professional journalist simply wouldn’t have the time or knowledge for. Syp himself plays a half-dozen MMOs at a time. Continue reading MMO “Journalism” Middle-Ground
I have been quiet on the blogging front, so I should appreciate Tobold picking up the “business of games” beat I have favored. He has recent posts explaining that someone has to pay for games and more money attracts more investment. While you personally might prefer to get more game for less money, the MMO gaming niche only gets increased resources when investors see money to be made there. For-profit games need to show a profit.
We have previously discussed the business model Tobold discusses under “Keeping the Lights On.” Players (and consumers generally) are more sensitive to changes in price than in quality or quantity, so over time you get less game in your game and more add-ons, and wow was the Elder Scrolls IV horse armor imbroglio nine years ago already? I actively dislike the nickel-and-dime model and avoid rewarding it, but I have more money now than when I started gaming and I understand why it happens on both the supply and demand sides.
I want good value. I want to reward it. Sometime, we need to sit down and work out how to make sure we are assigning more of our time and money to their best valued uses. I liked Orcs Must Die! more than Dungeon Defenders, but I spent more time on the latter due to the game structures and internal incentives. My Settlers of Catan board was a much better investment than my LotRO lifetime account.
We have discussed repeatedly over the past year that fun games let you make meaningful decisions. David Henderson comments on a recent football game and the distinction between decisions and outcomes.
Usually, the best choice is the one with the highest expected value (probability of outcome times value of outcome). People frequently look at solely the outcome and then attribute it to the decision, whether or not the outcome was a likely result of that decision. Winning the lottery is a good outcome for you, but playing the lottery is almost never a good decision because the cost of a ticket is more than (odds of winning) times (value from winning); depending on how you estimate taxes, inflation, and the chance of splitting the prize, the Powerball even-odds point is around $1 billion.
I have mixed feelings about games where you make good decisions and lose. This is not the case of single-player games scripted to be perverse, where what looks like the right choice is a trap or all choices are traps. I am thinking of multiplayer games that are anything less than 100% strategy with all information known in advance. We want some unknowns, and making decisions in the face of unknowns means occasionally things come down against you. When the odds are 50-50 and you lose a coin flip, yeah, that happens all the time. When you win unless you lose 5 coin flips in a row, that still happens 3% of the time. I like to think of myself as comfortable with probability and true randomness, but having a 97% chance to win and still losing through no fault of your own is really frustrating. It is absolutely necessary that players lose 3% of 97% chances, but it is still really frustrating.
It is frustrating on another level when people celebrate those 3%s as great victories, rather than blind luck. Don’t get me wrong, if you are in a position where your only chance to win is five coin flips in a row and playing conservatively guarantees a safe loss, take that chance. High variance solutions can be your friend, and even if you lose that game (as you most likely will), it was the right decision. But if you started with equal odds and fell into a situation where you needed five-in-a-row to win, you probably made some bad decisions along the way. And if you are that guy who immediately set up a five-in-a-row situation to win immediately or quit immediately, you are what is wrong with online gaming.
Celebrate your victories, but also celebrate good decisions, whether or not they lead to victory in that particular case.
I still don’t know how to think of Massively’s closing. I am actually more upset at Joystiq’s closing because that feels like an institution going down the drain. Massively’s closing feels like… well that caravan of gypsies will find a new home. Massively never felt like it owed allegiance to anybody, and except for their snide remarks at AOL’s stinginess, it appeared independently run. Syp writes a Goodbye from his close perspective.
I’ve always had a spot for Massively. Two good friends started there (they are now at ArenaNet). I really liked when years ago they were plugging MMO bloggers. That apparently turned to some MMO blogger material theft, which left a sour taste in Keen and Syncaine’s mouths. Continue reading Ripples from Things
I have occasional discourses on probability. Here is Professor Munger having one upon the recent event that the Michigan Daily 4 lottery drew the same number two drawings in a row. The odds of that happening, of course, are exactly the same odds of your winning or of any given number being drawn once: 1/10,000. (If your intuition tells you it should be 1/100,000,000, remember that there are 10,000 ways it could happen.)
I haven’t checked his math on the all-year, many-states extension, but that’s the next piece on which to train your intuition: 1/10,000 events that have a chance to happen many times per day should happen pretty frequently. If you want the extended version of that, the post links to a piece adapted from a book subtitled, “Why Coincidences, Miracles, and Rare Events Happen Every Day.” Because in a world of seven billion people, one-in-a-million events happen seven thousand times a day.
Big, foundational ideas in probability theory were based on analysis of lottery and dice games like this. It is perhaps no wonder that we have trouble with designed more complicated games if our intuition has trouble with something as simple as drawing numbers from a hat.
Talisman: Prologue is in the current Humble Card Game Bundle. A friend was enthusiastic about “single player Talisman.” This review stood out:
But I think this one makes the better case:
So you’re just playing Talisman alone? Talisman is already a game with too much RNG; now it’s just you and the RNG until your inevitable victory over no one?
A conceptually amusing platformer with mixed execution. Playing part of the first world is worth the time; probably not worth buying or playing through the whole thing. I played around 45 minutes to get 100% completion.
You start at the end, defeating the end boss and running away with the princess. Then you go in reverse, from right to left, bouncing off enemies’ heads to wake them back up, returning coins, and catching fireballs. That’s the “conceptually amusing,” a reversed platformer. Not all the coins were collected nor all the enemies stomped on the run through the game you are unwinding, so the challenge is frequently to collect particular coins and avoid bouncing off certain enemies.
This is entertaining for a small number of levels. There are 100 levels. Most of the levels are very short. A perfect run through the game would take about 15 minutes. That is helpful, because stomping an enemy you were not supposed to creates a “paradox,” start over. Some levels are a couple of easy jumps, and you will never see them again. Others require pixel-perfect jumping or timing that you need to memorize because you need to react to some things before they come on screen.
That is, the jump is a fixed height and width, so if you need to make three jumps in a row, you need to know exactly where to start the third one so you can start the first one at the right spot, and the third one will be off-screen. That’s bad design. Many other design decisions are good. For example, when a new enemy is introduced, you have an entire level that is nothing but dodging that attack pattern with no complications, more or less just showing you how this enemy moves.
One design decision initially annoyed me, but I decided it was a good thing. You get a perfect score on a map by beating it with no deaths or paradoxes. You cannot start over in the event of death or paradox, or perhaps you could by quitting to menu, but there was no quick restart I saw. The level restarts automatically upon paradox, and it keeps doing so until you get the whole level perfect in a single run-through. Then you get your score. If you want your perfect score, you need to do that, then start over and do it without failing. In effect, you need to be able to beat the level perfectly twice in a row. I like that. Once can be a fluke (and perfect on the first try still counts); if you just failed it 10 times in a row to get it once, you need to do it again to demonstrate that you actually know what you’re doing. It reminds me of a nice bit in Ender’s Game when Ender has his troops repeat a maneuver three times to prove to themselves that they have mastered it (but only three to avoid having it become a repetitive drill).
Fist of Jesus is a game in the latest Humble Bundle. It is a beat-em-up distinguished only by cartoonish blasphemy; none of the reviews give me hope that the gameplay improves, but if the idea of “play Double Dragon as Jesus and Judas versus Lazarus’ horde of zombies” sounds entertaining, it is currently $5+ for this and four other games (or $8+ for another two, including an actual Double Dragon).
The level of attention to detail in the game is perhaps best attested by the typo in literally the first screen once you start the game.