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Breaking From the Collective Tempo

Borderlands has two speeds of play, much like its ancestor Diablo II:  paced and rushed.  When I play alone, I am going at my own speed.  It might be a slow safe sniper battle or a quick chest run in one of the Havens, but if a pseudo-scientist looked at some waves or something, I feel that there would be an alignment.  A pacing tempo, if you will.  When I play with others, even close friends, not only does the tempo markedly increase but the speed of play is not always in alignment with the me.  Frenetic is a good word for this in its most emotional definition.

I don’t like that feeling.  I love playing with other people online, but I don’t feel at one with my gaming experience when that feeling happens. Continue reading Breaking From the Collective Tempo

How to Write Patch Notes

Reading the latest League of Legends patch notes, I noticed this format:

  • Tantrum Damage modified from 115/130/145/160/175 to 100/120/140/160/180
  • Curse of the Sad Mummy Duration reduced from 3 to 2.5

Notice the “from” and “to” with exact numbers. It does not say, “Tantrum Damage modified. Curse of the Sad Mummy Duration reduced.” This is especially important for test notes, as you want people to test if the numbers actually come out that way, especially since some of the notes are correcting ability numbers or text so that they match (ditto for graphic effect and area of effect).

While we are talking about doing things right, I may have attacked the City of Heroes patch notes before, but one thing they do well is pointing to themes. Some of that is the advertising copy for, “Come try our new stuff! It’s awesome!” but the valuable part is expressing the developer intent in the patch notes. “We observed that players were able to reach unintended levels of defense through stacking buffs and abilities, so we are adjusting this through the following changes…” Even when there is no theme, that is helpful: “We are making a variety of balance tweaks to powers across all classes, correcting a variety of issues that have accumulated over time. There may be some unexpected effects from making so many changes at once, so we would appreciate it if you would pay attention to X while testing.” For test notes, explain what you want tested. For live notes, explain your intent before you need to explain it in each of twenty forum threads.

: Zubon

Easy with the talky, guys

Introduced my wife to Dragon Age: Origins last night. Here I was hoping for something that would impress Ms. “I’ve got books by Tennessee Williams and Dylan Thomas in my collection and you don’t”, but it didn’t go so well.

She really disliked the talking intermissions. Or rather, she disliked how frequent and long they were. Also disliked the interaction via multiple possible answers, I imagine because she couldn’t completely gauge the result of the choices before selecting a response. And I can’t say I blame her too much. On the length issue, I mean. There is such a thing as too much sometimes, particularly when the player actually wants to get down to, you know, adventuring, and not having to listen to merchants say their 5-10 second peace every damn time you want to access their goods.

Now, I understand this is story-driven, and the vehicle chosen to deliver that story is voiced NPCs. That much is fine, and actually experiencing the level of narrative in DA:O fills my geeky heart with a joy I cannot explain. You don’t get this kind of steak often, and the voice acting sauce it comes with is supreme. But, that said, the inconvenient truth behind this is that there is a ton of it, whether you like it or not. Voiced NPCs work great but only up to a point where they start becoming an annoyance for many players. I think future titles *coughstarwarscough* have to be mindful of this and teach their NPCs how brevity really is the soul of wit.

Random Variation

Given a large number of trials, any random series will produce a large number of perverse-looking short streaks. If 100 people flip a coin 5 times, you should expect 6 of them to get the same result on every flip, but it will look strange to those 6 people. One-in-a-million chances happen all the time in a world of seven billion people. If millions of WoW players attack 100 times a day each, that is a lot of chances for long streaks of misses (and longer strings of hits).

More recently for me, it took two weeks to complete the Chasing Marcia achievement because one of the daily quests just did not appear for two weeks. What are the odds of that? Well, not bad. There are 5 quests, so 0.8^14=4.4% chance that any one quest will not appear for two weeks, but since there are five ways it could happen, there is a 22% chance. You should expect that to happen quite a few times each year, and if you started the dailies today, you should expect that 22% chance it will take you more than two weeks. (Maybe Blizzard does have some kind of streakbreaker in there, and maybe I just hallucinated having done the daily on a day I missed.)

I know all this and was just vaguely amused at the fishing streak. A similar thing contributed to my leaving The Lord of the Rings Onlineâ„¢ for about six months. I was trying to complete the Annuminas armor set, which involves getting the boss drop in each of three dungeons. With six fellowship members, that is a pretty clean 1/6 chance, minus the occasional member who just felt like running the dungeon but did not need that piece. In 16 tries, I won that 1/6 roll once. This should not be surprising: the expected value is to run each dungeon six times, and for everyone who wins a roll on the first time, there must be someone who just keeps running it and running it. I was not even up to 18 tries, and who knows, maybe it would have worked out perfectly and I would have won the next two. Independent probabilities, however, do not work that way: you still have a 1/6 chance, and I should expect another 12 tries to finish the set. And by that 16th trip, you get really sick of telling the new people to keep the silence-aura ghosts away from the healer.

Hence the approach of giving everyone a few badges, 1/6 the necessary token, or whatever.

: Zubon

Siege of Mirkwood Beta Thoughts

Since the NDA dropped, I wanted to share the strongest points in my mind that I experienced or read during my time in the closed beta.

The Good – Skirmishes.  I cannot stress this enough.  It will change how casual players access Lord of the Rings Online, and it might have a greater effect on the MMO landscape.  They are self-contained adventures similar to Guild Wars missions and Dungeons and Dragons Online quests, but most like solo instances in Lord of the Rings Online itself.  Since it has its own reward structure, players can solo to their hearts content, but the best feature is scalability to include other players to get, duh, better rewards.  12-man skirmishes are basically casual raids with customized bosses.  Plus players get a personalized skirmish Barbie to dress up and skill out.  If I had any qualms about activation energy to play Lord of the Rings Online, this feature destroys it.  This is seriously an expansion in itself. Continue reading Siege of Mirkwood Beta Thoughts

Exploring Fallen Earth

I’ve been struggling over the last month or so, trying to define the ways I enjoy playing Fallen Earth and I’ve not had much luck. Maybe if I just start hitting the small points, a bigger picture will form.

I first started playing and everything was confusing. Somehow I found I enjoyed this. After all, I am a clone that just woke up and realized what is happening in the world around me. Things would be confusing. Soon I escaped from the Hoover Damn and joined the outside world.

There were a lot of quests to do but I kind of felt tired of questing so I went in to town to see if I could learn more about crafting. It didn’t take long before I was questing anyway in order to learn how to craft. It seemed more interesting as the rewards were often crafting skill books which allowed me to craft more items.

I learned quite early on that pretty much anything you need can be acquired in one of 3 ways: craft it, buy it, or gather it (harvesting or hunting). This opens up a lot of doors for playing how you want to. If you like to craft, make it. If you are in a hurry, buy it. If you want some adventure, go out and find it.

Continue reading Exploring Fallen Earth

Champions Zone-Servers

Most MMOs make it difficult to play with your friends. Levels are a common culprit, as are character- (not account-) specific friends lists, but servers are today’s topic (and City of Heroes solved both those problems anyway). My friends play World of Warcraft on however many servers, and I can pick one on which to spend two months leveling to catch up. We have never been able to get everyone together on the same server for any game but EVE, except when we had so few people playing that we could not field a full group anyway. Whatever else you may say against the Champions model, it avoids this. There may be fifteen copies of that zone you are in, but you and your friend can meet in the same one no matter where you started.

It is a hard thing to make someone choose which 99% of the population to wall himself off from before making his first character.

Another virtue is the inherent scaling. Games have this problem across their lifecycle: how can you accommodate both early crowding and the later population shift? You do not want The Shire clogged with 500 hobbits at once, but you want new hobbits to be able to play once the horde is level 50, and then you want the level 50 experience to remain fun after the horde that sat there for nine months moves on. What about that group content?

In the early days of City of Heroes, you might have seen a dozen copies of each low-level zone as additional instances spawned. Champions Online takes the next step by eliminating the top-level server. Each zone has a lower population cap, so it is easier to have the “right” number active in it, and more instances appear as the incoming population expands.

There may not be a shared world, but you always have the right number of shared playgrounds.

: Zubon

Guild Wars 2 Release Date Flashbang

I feel sorry for Jaeho Lee sometimes.  The man heads up the English-speaking conference call for Korean-based NCSoft.  Last time NCSoft at the conference call spoke substantively about Guild Wars 2’s possible release date it caused enough commotion that the ArenaNet’s brass had to respond.  Of course it can’t be helped, Guild Wars 1 was a success in what was considered a DOA-business model.  More people than rabid fans like me want to know about the sequel to ArenaNet’s first game. Continue reading Guild Wars 2 Release Date Flashbang

Happy Blog Birthday

The Steve Jackson Games Daily Illuminator turns 15 today. It is, to the best of their knowledge, the oldest blog still being updated regularly. Yes, it mostly exists to advertise their products (Zombie Dice this spring!), but the random internet items that proceed the daily product spotlight can be fun. As a RSS subscriber, I don’t even see the daily product spotlight. A personal favorite is the occasional chronicling of how we now live in the future, what with bladeless fans and people becoming cyborgs so slowly that no one much notices. Or I suppose you could just watch for DARPA RFPs for super-soldier suits and mechs (actual US military research), but it helps to have someone else spotting.

: Zubon

Conflict of interest watch: I once published a column for the Steve Jackson Games online magazine.

The Turbine Two-Step

When I play games I often rank them by tempo rather than genre.  Hypertempo games, like Team Fortress 2 or Left 4 Dead, require a lot of energy and give a lot of excitement in return.  Slower games such as Civilization 4 or a tower defense give me a slow, entertaining beat.  MMOs have their own rhythm as well, and last night I filled a much needed missing tempo in my MMO library.

Lord of the Rings Online in itself has multiple tempos, at which I can play.  There is the calm steady beat of solo questing, the more demanding march of group instances, and even crafting affects the whole symphony with a coda of rest.  Still, Lord of the Rings Online is missing many tempos that are crucial to my well-rounded gameplay.  The combat is sometimes too rhythmic, even in group instances.  The game can feel like an If/Then line dance, where agro, healing, placement, and killing are all just part of any veteran’s action equation.  I felt this lack deep in my soul last night after playing for countless hours over the weekend.

I still wanted to play an MMO, but I needed a more aggressive rhythm.  One filled with staccato notes and out of control riffs rather than a steady Bolero.  I found Dungeons and Dragons Online. Continue reading The Turbine Two-Step