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[GW] Status Check

I have had Guild Wars for two months now, as you may have guessed by the sudden change in posting topics. So where is Zubon?

I have completed Nightfall and Factions. I am a few missions from the end of Eye of the North and a few into Prophecies. I have a couple dozen elite skills, a set of prestige armor and a maxed bow on my Ranger, and all but one of the heroes that do not require the completion of post-campaign content. (I will not be trying Winds of Change until I vanquish Cantha. I can read the story on the wiki.) While I have a full set of runes and insignia (maybe not the best, but it’s something), my heroes do not, and the new heroes from finishing Nightfall are still below level 20.

I have 10 Hall of Monuments points. You can check “Zubon Ganaimad” if you’re curious. I have several potential statues on the cusp, like an un-leveled phoenix and Protector of Cantha nearly done, but I am not going to worry about cleaning those titles up right now.

My next priorities are adding a little more strength to my hero options and starting to participate in guild events (now that I have two campaign hard modes available). I want to finish leveling the Nightfall rangers so that I can use them as touch rangers. I want to push into Prophecies to pick up some elite skills that most people seem to take for granted (Offering of Blood, Panic, Unyielding Aura). I want to finish the campaigns to open up all my options. I want to drop a bit of money on runes and insignia to finish decorating my heroes.

Then I can just mess around doing whatever I want, because I will be a full participant in the endgame. :) Since I have been doing a lot of “whatever I want” along the way, this will not be a huge change. I also have some alts to try, but they are all in the single digits (except the gradual Legendary Defender of Ascalon character, at level 13 right now).

: Zubon

Differing Dailies: Reliable, Rotating, and Random

In our world of quest-based PvE MMOs, repeatable content is a necessity for extending longevity. If there is nothing to do, players go elsewhere. The most popular approach to this is daily (or occasionally weekly, twice weekly, etc.) quests, and that is our compare-and-contrast essay of the day. (Do not steal it for high school English class unless you define many of the terms we are taking for granted.)

More specifically, the topic is how you structure those daily quests. I call some “reliable” in that they are unvarying. The same daily quests are available every day. “Random” dailies will have a pool from which some unknown ones are pulled each day. “Rotating” is the halfway point: a pool that moves in a consistent manner, so what is available is reliably known but not constant.

World of Warcraft is the trope codifier for dailies. When I played (late WotLK), they limited you to 25/day, and everything was always available. That is one of the great merits of reliable dailies: everything is available. There is no artificial scarcity. If you want it, it is there. If you like X, X will be there for you every day. You can set up a routine, and as a developer, you want to promote having your players log in consistently. Consistency is a kind of virtue. WoW also included some randomness, like the daily fishing and cooking quests. Didn’t they extend that with the Cataclysm solo endgame, with so many of the daily quests available per day?

I find randomness good for mixing it up, breaking up routines that lead to doldrums, but it is frustrating when you want something to come up and it does not. If you are randomly picking one of four quests, there is a 53% chance that one of them will not appear in a given week. When instant gratification takes too long, this can be bad. It forces on the player what is probably a good plan (not doing the same thing every day), but players resist being forced into anything.

The Lord of the Rings Onlineâ„¢ is another “always everything” game. Skirmishes extended this by giving a daily bonus to a menu of instances you could pull up. That content was usually available at all times, but the quest bonus was 1/day. (I say, “was,” but I presume this continues in Isengard.)

The daily or weekly bonus seems to be the easiest approach. You can get a bonus for doing each piece of content over each time period X. The numerically equivalent but less friendly-sounding version is to have diminishing returns for repeating content.

Guild Wars goes for pure “rotating.” The wiki has a list of when everything is coming up for the 7 dailies. This contains some of the merits of the other two approaches, in that what is available is known in advance and can be planned around but is not a constant each day. Embark Beach is a Schelling point; hundreds of options would spread the players everywhere, while a small set of daily options focuses grouping. Of course, as with random, if you do not like the daily option (any of the 7?), you are out of luck, and everyone with whom you might want to group is being channeled away from you. You do not even get the hope that your choice will randomly come up tomorrow; you can see on the calendar that it will be up in mid-March, that day you will be on a business trip. Guild Wars has the additional interesting bit that you can pick up but not complete the Zaishen missions and get to them tomorrow. I am a new player still going through the campaigns, so if the mission of the day is one I expect to get to later this week, I can store that bonus.

League of Legends has a generic “first win of the day” bonus. You get it for any map, PvE or PvP. That seems to be just a “come back every day!” incentive, as it cannot channel the players anywhere, although there are few enough options that channeling seems unnecessary.

Because I have not played every MMO, the door is wide open for reader commentary on how game X did it. The hard part on doing the comparison is that daily content is usually at the level cap, and how many MMOs have you played at the level cap for any meaningful length of time? Oh wait, you read MMO blogs.

I know which site I am writing for, but please resist the urge to say, “Guild Wars 2 events will solve this” unless you can tie it back to the daily-specific focus. You know how much it pains me to have skipped City of Heroes because their repeatable content has (had?) no time limits on repeatability, although there is a task force of the week bonus.

: Zubon

Responding to Incentives

I have repeatedly said that Guild Wars expects you to play with the wiki open. I have bowed to that and done what I should have a long time ago: set up a second monitor. Now I don’t need to alt-tab nearly as much. I am thinking about getting a USB video adapter for my wife’s laptop so that she can have Hulu on one screen and internet/documents on the other. She seems to listen to shows half the time.

: Zubon

[GW] Voice Acting

One significant improvement between the Guild Wars campaigns was the voice acting.

I haven’t heard much of Prophecies yet, but what I have suggests a need for better direction. It was as if they gave the voice actors individual lines to read without telling them what is going on, their motivation, etc. Maybe it improves; I am hitting Prophecies last. Factions was painful, and the subtitles were necessary. The voices themselves were not great, the voice acting and direction were random (not even following the emphasis listed in the subtitles), and then they added effects to the spirits’ voices to make them half-incomprehensible. Maybe there are some tropes of Asian cinema that they are faithfully reproducing, but after starting with how my character sounded in Nightfall, Factions just hurt every time … anyone came on screen.

But Nightfall is good, rather good. I enjoy both the voices and the acting. They are well-fitted to their parts, and not just because General Morgahn comes off as Morgan Freeman. Contrast the effects on the demons in Nightfall with the spirit envoys in Factions to show how to have the effect enhance the voice, not destroy it. Then we get to Eye of the North, and we have a range of good characters (not just Vekk). The quality of the lines in Nightfall was probably higher, but you must love Ogden (voice and lines) during the Norn arc. One simple bit I really liked was Jora, “Blood washes blood.” She says it three times in a short cutscene, but it has a different intonation each time. With the last one, she manages to imply hope, fatalism, and a suggestion that the wisdom of a thousand generations lies behind a three-word phrase.

Also, don’t you just love that scene between General Bayel and The Hunger in Nightfall?

: Zubon

It is much easier to find voice actor lists for shows than games.

[Rift] Soul Train

This sounds like a really good idea, and it sounds like it is being implemented well. Kudos.

I wondering about crossing this (or the Guild Wars skill templates) with a standard mod sharing interface. You would open up a menu of builds in use, possibly player-built but why not just automatically pull the data on what is in use? Is there some sane way to show the central tendency of other players? You would not want specially named builds, and perhaps souls provide too much granularity for an effective display. Perhaps something like X is the most popular skill/soul/whatever, 30% of players choose combination ABC as three of their GW2 warrior skills, etc. I would also want some index beyond popularity, say xp earned or kills using that build, to keep people from intentionally messing with stats by, say, making Uber Warrior Build as a main then filling every slot on every other server with a level 1 using a crap build. I don’t know if enough people would do that to seriously throw off stats, but I can see the effort being made to break any game system.

: Zubon

[GW] In the Eddies of the Wind

While I have been thoroughly enjoying Zubon’s adventures through Guild Wars, I had hung up my spurs some time ago. I had vowed to return to the game when the Winds of Change portion of Guild Wars: Beyond was completed. Today marks that day. I wrote yesterday about the long journey to Guild Wars 2, where I suggested we all glance up to the horizon one more time. In that moment there is a peace as the sun and the wind meet at the top of the mountain. The sun warms the soul, but the wind is different. The brings smells and touch. It brings memories.

I have not played any of the Winds of Change except for the small bit I saw at Fan Day, but I am excited to do so. The Live Team seriously makes blood from stones. The love and energy they have for Guild Wars is simply amazing when the rest of the studio is so embedded in the upcoming Guild Wars 2. I hope, too, that they have helped teach ArenaNet how to run a Live Team so that the one for Guild Wars 2 will set off to a furious pace. John Stumme, head of the Live Team, writes a memoir of the main protagonist of Winds of Change, Miku, at the official blog. Continue reading [GW] In the Eddies of the Wind

Newb Boon

You do not need a comparative advantage to be the best at something [FTFY] to enjoy the benefits of trade, nor does your trading partner. Even if you can do absolutely everything better and more efficiently than I can, it will still benefit you to trade with me because you do not have the option of doing everything at once. I may shovel well, but if I am also a pretty good obstetrician, it will probably be more productive for me to pay someone with fewer high-value options to dig.

If you were to start playing World of Warcraft right now, you could make decent money farming copper. The enemies are not gray to you, so you would not be the most efficient farmer, but people who earn lots of gold per hour are happy to give you a bit of it on the auction house. On a non-trade example, when I went back to Asheron’s Call with a fresh account, I financed several dozen levels by hopping a portal to a high-level hunting zone and scavenging a pack of trash loot that players left in their wake. If I had thought of it, I could have made a service of being the town-visiting pet from Torchlight, if anyone would trust a new character with their stuff/money.

The past weekend was Canthan New Year in Guild Wars. This is an amazing source of money for a new player. Offering to sell Lunar Tokens for 200g and Fortunes for 600g, I was deluged with buyers. There were quests that rewarded 25 Tokens, and the established players had run them in previous years; they were effectively level 5 quests that awarded 5 platinum. I financed my first set of prestige armor off those. If you could get your newb to Lion’s Arch, you could convert Tokens to Fortunes profitably (if slowly) playing Rock-Paper-Scissors.

An economy that is orders of magnitude above where you are can be daunting, but if you can get involved in it at all, the profits to be reaped are huge.

: Zubon

[GW2] With Beta’d Breath

A more open beta weekend is coming. Of course it appears that this is not the first beta event, but it appears to be the first one that can be discussed by the players. Or rather press, only select press are “in general” being let talk about their beta experience. While Martin Kerstein did say that invitations were only getting started late last week, I have not [yet] received a “press beta pass.” I have, graciously, received one in the past from NC Soft, so you never know.

Regardless, the more I think about this, the more excited I get. Yet I feel like I am walking down a path of no return. It is becoming clearer to me that playing the game in my head is no longer an option. I love all the developer interviews, like the latest PvP roundtable because the passion of the developers is still overwhelming. Yet, I feel that there are relatively no more slots to fill in my brain. Continue reading [GW2] With Beta’d Breath

Shedding the Illusion

I picked up a somewhat recent DC comics collection from the library recently. Reading it, I realized I was not sure which apocalypse it came after. For most of my life, DC Comics has been resetting its world frequently. They do a multi-year story counting down to the apocalypse, a year-long apocalypse, and then a few years of a fresh new universe before starting the next countdown. Someone once said that there were three essential stories about a hero: the origin, the death, and everything else. DC has refined that into a business model. Every cycle, you get a new origin, a new death, and a chance to play with all the best stories and villains that have come before. As with the Silver Age, where stories were repeated because readership was expected to turnover every few years, few readers will be sticking around for enough cycles to get annoyed with it. If you do? Congratulations, you are the sort of fan who will keep reading anyway, so your money is already guaranteed.

I got over this annoyance all at once. Suddenly, it did not matter, so the story could live in the moment. Whatever continuity baggage it may have acquired, your favorite version of Blue Beetle or Supergirl, whatever — you have the story in front of you, and it stands or falls on its own. Every character is now an alternate character interpretation. Everything you like or hate will be reset in a few years anyway, so it does not matter which DC universe this is. The characters may be sixty years old, but they only “exist” in the present.

This is our gaming world. Games start and they end. There is a meta-game about which League of Legends champion is overpowered or how your favorite sports team will do in the next draft, but the game and the season in front of you are what matter. You have one hour to build from nothing to a satisfying conclusion.

And, behind the veil, this is our MMO gaming world. You will come and go, and nothing you do will have mattered except to the people who experienced it. We have the illusion of persistence, but you will quit playing, just like any other game; servers will shut down and everything will be erased, just like any other game. Within your lifetime, the computer environment that ran these games will need to be emulated, because no existing computer will run your MMO without more effort than goes into playing a game off a 5.25″ floppy on your laptop. Someone will have an EQ progression server set up, and others will view them like Civil War re-enactors.

Of course what you lose in this iteration is the ability to tell several categories of meaningful or significant stories. DC’s “Cry For Justice” series, for example, was driven by the death of a major character. The person leading the “Cry” had come just back from the dead, and pretty much everyone else in the room had as well, some of them in the last year. When the Flash ran himself out of existence fighting the original Crisis on Infinite Earths, that was a powerful moment; you cannot repeat it with a half-dozen other Flashes, and it retroactively cheapens it when you resurrect the sacrificed. GW Eye of the North has a story arc that ends with a death that would be much more compelling if the son giving the eulogy had not died five times in the mission leading up to that cinematic.

: Zubon

Lost in the Sandbox

In a relatively rare bit of Skyrim criticism, Chris Sims talks about how the open-ended nature of Skyrim, combined with the mutability of its many choices, led him to lose interest in the game. I think this is a good critique of many of the things I say arguing for open worlds, options, player choices, etc. Some of it is specific to the game, other bits apply more broadly. Most people seemed to take to Skyrim as their own little world, but I suspect we have heard less from those who found the setup less compelling.

: Zubon

I’ll pick up the PC version at some point.